Congratulations to our Art Editor and Editor-in-Chief

I would like to take this opportunity to congratulate two of the staff members on the addition to their family. I wish them all the happiness in the world and send all my love to their new little girl, River.

With Love,
J.R. West

Anita Blake: Excelling in multiple forms

Anita Blake: Vampire Hunter's Guilty Pleasures and Laughing Corpse by Laurell K. Hamilton convert cleanly from book to graphic novel. This is due to the conversational nature of the story which matches the common comic book style. Additionally, the comic illustrator Brett Booth took care to match Hamilton's colorful description. The Anita Blake Vampire Hunter series is possibly the most accurate translation from comic to novel.

In both novels, Guilty Pleasures and Laughing Corpse Anita Blake narrates, her voice is a casual inner monologue which doesn't edit for the reader. This style almost exactly matches the style in the square narration boxes of comics. Her interior thought are highly reminiscent of Spiderman and Deadpool. They cleanly translate into the narration of a comic. It was almost as if Hamilton knew her novel was going to become a comic. In addition, to the voice of the narrator, Hamilton gives ample description of her world. Her illustrative description is almost enough for a sketch artist. The exact skin tone, hair type and color, body shape and size, and over all body language is covered in high detail. The illustrator is given a clear guide for each character. Booth takes the description and flawless converts it into images.

It was a thrill to both read the comic and novel version of the two stories, Guilty Pleasures and Laughing Corpse. I would recommend reading one version if you like the other.

Always looking for good comics
JR West the Raccoon

Petsalad: The art of coin cutting

Time flies.... For weeks I have wanted to share with you all my latest discoveries in the wonderful world of art, but work has kept me up lately as we all prepare ourselves for the Christmas period. I still just have a little time but I had to share with you this shop named: Petsalad.
I must admit it was, at first, not the work which caught my eye, but a small description of the shop showing at the top of the page. It said: "What Rob does when he's not playing banjo". Well, you can understand this made me very curious.

When I took a better look at Rob's shop I realized that the pendants I saw were actually coins. It was the first time in my life I came in contact with the art of cutting coins and I was absolutley blown away by the detail and beauty of these little pieces of art.
Though all these coins are beauties, the coin featuring St. George is the most stunning of all. It is hard to belief that these pendants are made with nothing more then a jewelers saw. No electricity or whatsoever is used during the process.

So, now you know what Rob does when he is not playing banjo....

Images of Beowulf Part 2: Animation Creation

The 2007 Beowulf movie directed by Robert Zemeckis is a computer generated animation film. The film endeavored to be different in both story and animation style. It takes liberty with the plot of the original Beowulf legend under the guise of portraying the "truth" behind the epic; assuming that the old English version is an oral tale that was distorted with time. The film is built on the idea that no man is perfect and the "real" Beowulf was flawed. This premise proves interesting, since literary the Beowulf was nearly perfect. I think that this assumption improves the story greatly, since the traditional tales of how Kings are remembered are rarely synonymous with not how they truly were. Furthermore, many of the side characters give the movie an unexpected depth, especially the Queen, who survived three corrupt rulers. She was one of the only genuinely good characters and a true pleasure to watch.

However, even though the story was enjoyable, the animation was not. In an attempt at realism, the 3D computer animation mimics real people, using actors as models and then animating over. This tactic failed. The main characters felt fake, with the stress on realism becoming a distraction. Instead of falling into the world of the film, every flaw in the recreation of the actors kept the view at arm's length. Moreover, the side characters are caricatures of people that barely fit in the world created. While the animation failed in its portrayal of people, the monsters were fantastic. Both Grendel's and the dragon's forms were a blend of the expected and the creative. Grendel is a humanoid with a unique physical feature that clearly explains his hatred for humans, in contrast with Grendel's mother who is a modern portrait of the perfect feminine form. She is curvaceous with gentle and delicate hands. Her monstrous feet and tail are reminiscent of a Judeo-Christian demon. She is clearly a Lilith type creature, as referenced in the original tale, beautiful and deadly. If only the majority of the film could have focused on the monsters, it might have been spectacular.

Since it did not, I give the animation a 2 out of 5 and the story a 3.5 out of 5.

Still waiting to be impressed by Beowulf,
J.R. West the Raccoon

The Best Holiday Ever!

With Halloween just past, I thought now would be perfect time to hit on a common figure currently saturating our culture: The Vampire. Therefore, I took a moment on this lovely holiday to assess the vampire overload in my own life.

Example 1:
Midnight Opera by Hans Steinbach is a OEL (original English language) manga. The main character is a guitar playing vampire with a nemesis for an older brother. The first manga in the series was decent enough, but I have not gone through the trouble of finding the next.

Example 2:
Vampire Wars is a facebook application which doubles as a game. You create a gothic vampire avatar who then completes missions for his or her clan. You can fight other vampires in an old world based gaming style. It is a basic game, but I do love collecting pieces for my avatar.

Example 3:
Foxtrot had a brilliant comment on Twilight's destruction of the traditional vampire last Sunday. And as much as I love Twilight, I agree with Jason. Nothing beats the traditional Nosferatu.


Example 4:
The Vampire Diaries is a CW television show for teenagers. It is a cliché story of girl lover’s vampire, but he thinks he is wrong for her. There is even a nemesis brother; it really is just another Twilight. The only saving grace is that the vampire looks far more vampire-like than the guy that plays Edward in the Twilight movies.

This is just a quick guide to my recent encounters with vampires. It does not include the wide number of book, movie, and comics surrounding vampires, or even the White Wolf role-playing game. Take a moment and count the number of vampire inspired things in your life, you will be amazed.

Loved the Recent Holiday,
J.R. West the Raccoon

Luonnotar

Dear readers,

This is very worth a look -- a setting of Sibelius' tone poem Luonnotar to some beautiful video photography of northern Finland and the Arctic:



Those of you new to this particular piece can read more about Luonnotar here. I had quite forgotten how beautiful this composition was, and the video above reminded me.... Watching the end of it particularly, those towering mountains of ice in the sea, while listening to Sibelius' music, one feels in the presence of an old and terrible beauty.

Few traditions have spoken (or sung) of the beauty of singing and the power of song as the Scandinavians have:

The old man said from the stove:
'Here there has been heard
either heard or seen
ever in this world
no better singing
no more careful cunning man
than when I cooed, I
carolled as a younger man
sang upon the bay's waters
and echoed upon the heaths
cuckoo-called in the spruces
recited in the backwoods.
My voice was great and graceful
my tone very fair:
as a river then it ran
as a stream it flashed
travelled like a ski on snow
a sailing ship on the waves.
But now I cannot recite
nor this can I rightly tell--
what has stifled my great voice
laid my sweet voice low: now it
does not as a river run
nor as waves ripple, but it
is like a harrow among
treestumps, a pine on hard snow
like a sledge on seashore sands
a boat on dry rocks.'

(From the twenty-first book of the Finnish Kalevala, Keith Bosley's translation.)

Such of a love of song shines in modern singers from that region of the world, no less; ABBA's Thank You For the Music comes to mind.

Not that I want to sound superlative -- one might praise the American blues or a number of other traditions for their celebration of the way 'that nothing can capture the heart / as a melody can' as well as the Swedish or the Finnish. But something in me today longs for the subarctic.

Dante's Heart Art Contest - And Tricksters

Dear readers,

There are a lot of new plans for the first half of 2010 that I wanted to share with you! We have grown our team of editors, which means that we have also grown our ability to run new calls for submissions, contests, and other opportunities to invite fresh work. Here's what's coming:

Trickster Works

One of our fiction editors, Ashley Argyle, has this to say about tricksters in literature, art, and lore: "Tricksters live in a world of ambiguity and chaos. They know no boundaries--with nowhere they can't go and nothing they can't do, they are oftentimes the world's ultimate creators and destroyers."


Dante's Heart invites you to explore the unruliness of the trickster and is calling for submissions featuring trickster works in all media -- literary or artistic, fiction or drama, photography or mixed media. Check here for more details; entries are due May 1, 2010 and the most compelling entries will be considered for a special edition of Dante's Heart.

(The artwork shown above is an interpretation of Wagner's Loki from the never-forgotten Arthur Rackham.)

Urban Fantasy Art Contest

As our first issue began with a range of mythopoeia and fairytale work, this year our art editor is interested in something (potentially) a bit grittier. Send us your best urban fantasy -- whether photography, drawing, painting, or other -- we are open to all visual art forms. Submissions must be digital, though the original medium need not be. Previously unpublished work only.


Check for the contest rules here. Entries are due April 30, 2010, and will be judged by Jessica Fusch, Dante's Heart art editor and owner of Seaelven Studios.

(The image pictured above is Sandow Birk's Inferno, an urban interpretation of Dante's Divine Comedy.)

Spread the word -- and we look forward to seeing what appears in our inbox!

With great joy and a sense of play,

The Editors,
Dante's Heart
www.dantesheart.com